Two passphrases. The artwork is the message. The balance between strength and friction.
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Four ways for a message not to exist.
Two passphrases. The artwork is the message. The balance between strength and friction.
Four passphrases. The artwork is the message. The most ambitious and best measured cryptographic design in the house.
Four passphrases. The artwork is the message. The cipher where the data picks its own route.
One passphrase. The message lives inside an image that no reference forensic tool tells apart from an empty one. And it can be published.
Common ground
It is worth saying first, because it is what makes the differences comparable.
The fork
And it almost always decides the recommendation: does a clean version of the image exist to compare it against?
The image does not hide the message: it is synthesised from it. Every pixel is payload. There is no original, so there is no differential to analyse: a whole family of steganalysis techniques is structurally out of play.
The price is that the artwork is 100 % synthetic, high-entropy and of fixed size — and that, to an analyst who already suspects the channel, is a trait in itself.
The message is embedded in an image that exists: art the system itself generates, or an image the user supplies. In principle, a version without the message exists.
The defence is that the two are indistinguishable — and that indistinguishability, unlike the argument above, has been measured against the reference forensic tools and against deep-learning detectors.
The underlying difference between the two branches is not how much they hide, but what kind of guarantee they offer: the carrier-free branch gives a structural argument, solid and unmeasured. CipherVault gives empirical evidence against the detectors that exist today.
The four
Comparison
| Abisal | Críptida | Filigrana | CipherVault | |
|---|---|---|---|---|
| Approach | Carrier-free | Carrier-free | Carrier-free | With carrier |
| Secret passphrases | 2 | 4 | 4 | 1 (+ optional file) |
| Custody model | 2-of-2 | 4-of-4 | 4-of-4 | Individual |
| Cryptographic core | AES-GCM | AES-GCM | AES-GCM | AES-256-GCM |
| Own outer layer | MAREA | TELAR | Lanzadera | None load-bearing |
| Critical path | Own, over standard | Own, over standard | Own, over standard | 100 % standard |
| Capacity | ~32 / 65 KB, fixed | ~32 / 65 KB, fixed | ~32 / 65 KB, fixed | Scales with resolution |
| Speed at full capacity | ~9 s | ~1 s | ~100 s | Fast |
| Evidence of hiding | Structural argument | Structural argument | Structural argument | Measured |
| Plausible deniability | Implicit | Implicit | Implicit | Operational |
| Aesthetic | Abyssal water | Jewelled glass | Engraving / oil | Free |
| Ecosystem | Single file | Single file | Single file, desktop | NFT, gallery, multi-user |
| Friction of use | Medium | High | High | Low |
Decision tree
Nothing dressed up
Filigrana and Críptida compete for the same client. They share passphrases, custody, capacity, core and the whole steganographic machinery. They differ in the outer cipher, and there Críptida is about a hundred times faster and has a considerably more extensive validation analysis. The argument in favour of Filigrana is qualitative and is not quantified today.
Abisal does not compete with Críptida: it tiers it. Two passphrases against four is a deliberate product decision, not a reduced version.
The proprietary layers have not been audited by third parties. The three carrier-free systems stack a layer of our own on top of the standard core, and that layer has not been through review by cryptographers. The stacking never weakens anything: it adds. In CipherVault the discipline is stricter, because every proprietary transformation is applied to data that is already encrypted and none of it carries weight.
Hiding the construction is not a security measure. A system must be secure even if everything except the key is public. The reserve of this page is commercial, not cryptographic.
White editions
This page is grey box: it compares the four systems by what they do, by the properties that were measured and by the limits of each one, and it holds back the recipes — the parameters of the outer ciphers, the mixing formulas, the selection rules and the arrangements that determine where each piece of data lives inside the image.
The white editions exist: the complete technical specification of each system, with parameters, constructions and measurements in detail. They are available under agreement for cryptographic review, together with the commercial licence. It is the only way a proprietary design earns trust, and there is no short path.
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